Before talking about Transnational Justice let’s first remember the obvious, simply that we are ruled by laws. So the major kinds of injustice in the world must need to be addressed in partnership with progressive sectors of legal theory and practice. This is something which us creative activists do too little of.
Last month I was presenting the work I do at a very worthwhile conference on political and legal justice connecting with environment, economy, health, migration, equality, activism and arts, the Transnational Law Summit at King’s College London. More info about this is at www.transnationallawsummit.org .
Keynote presenters included Nobel peace prize laureate Shirin Ebadi and Dexter Dias QC. Panel presenters like myself included the well known ecoliteracy guru Fritjof Capra, Nick Flynn from Avaaz and Jannie Staffansson from the Saami Council. Well funded (and equally well dressed) the conference had the air of being high profile with the strong intention of supporting justice for the future.
Transnational Justice – game-change for climate justice?
I’m not going to attempt a full review or critique of the conference, but the session I found really compelling was titled ‘Climate Change and Court Rooms’. Was this the beginning of major shifts in reparatory forces to gain justice for damage to communities and to counter climate change? Continue reading →
A one-day symposium about socially engaged arts and cultural democracy titled Uncommon Ground crumbled upon the slightest scrutiny, and left a good number of the audience disappointed and let down to say the least. In advance of the event which took place at The Lowry on 22nd March 2018, little information apart from two underwhelming personal blog posts were given as lead-in material. The morning session involved four presentations, and NO discussion or Q&A of any kind. Tweets were welcomed to be responded to later – I wondered if they have replaced real nuanced discussion?
It’s the Economy, stupid!
By mid-afternoon it was clear that nobody was going to bring up the economics of inequality or within the arts, nor how arts can have an impact on such structural inequality. An embarrassing omission given that there is a common understanding of inequality being first and foremostly related to economic and political power. In most symposia or conferences, a subject is usually given some broad sweep overview of the history and key pieces of work and debates that have developed over the decades, plus some critical and fresh perspectives on the gaps – those areas which still need addressing. This kind of basic context was completely absent at Uncommon Ground, an insulting slap in the face for those who have tirelessly worked in the field and against the grain for those decades.
Continue reading →